More than 80 percent of films in the main categories captured with ARRI
At the 77th Festival de Cannes, more than 80 percent of festival films in the main sections were captured with ARRI cameras—including Palme d’Or winner “Anora,” directed by Sean Baker and lensed by cinematographer Drew Daniels. In the camera charts for the Main Competition and the entire Official Selection, ALEXA 35 and ALEXA Mini are leading the way.
Learn more in ARRI’s article on Cannes winners, camera rankings, and the equipment used to bring participating films to life.
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