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TECHNICAL
Technical
How to control sharpness
Oslo Digital Cinema Conference 2017
Frame rate support of Digital Cinema
Workshop at ARRI Munich: How to control the texture of the digital image
Cinema Exhibition
The Cinematographer and the Lens for Film and Television. An Inquiry.
Sharp Eyes
HD Glossary
HD Aesthetics
High Dynamic Range Video
Best European Stereography for Kommer Kleijn SBC
HD Vs Film Crewing Levels
Technical Standards for delivery of TV programmes - BBC 2011
Stereoscopic Image Acquisition
Alfonso Parra AEC Camera Tests Canon EOS C300
Legislation to fly with Batteries
ACE/IMAGO joint declaration for the safeguard of Cinema
The Extensive LED Test
Alfonso Parra AEC Tests Zoom Canon CN-E 30-300mm
ACES Academy Color Encoding System
CANON C700 TEST
THE SIGMA Prime Lenses - Test Review
THE SIGMA ZOOM Lenses - Test Review
Introduction for ‘Venerable W’ By Philippe Ros, AFC
EVALUATION OF THE ZOOM FUJINON CABRIO XK6x20
VENICE TEST
2018 CAMERA COMPARISON CHART
Fujifilm MK 18-55MM and 50-135MM tested
REQUESTS TO MANUFACTURERS - LAST CALL
EclairColor HDR
* ARRI SIGNATURE - LENS REVIEW
* VII Oslo Digital Cinema Conference
* Analysis of the survey: ‘’REQUESTS TO MANUFACTURERS’’
* A discussion between NETFLIX & IMAGO TC (update)
2019 CAMERA COMPARISON CHART
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