International Federation of Cinematographers
IMAGO Technical Committee’s mission statement is available here.
‘’THE TEXTURE AND THE 4K/UHD WORKFLOW - HOW TO CONTROL THE SHARPNESS’’
“The Imago Technology Committee (ITC) is happy to give cinematographers, camera assistants, colorists, post production supervisors and DIT’s a presentation on the topic of texture in the 4K/UHD workflow.
One of the goal of many techniciens/artists during the different steps required to create an ... [Read More]
PHOTOGRAPHIC STUDY AND ASSESMENT OF THE ZOOMS TO CINEMATOGRAPHY FUJIFILM MK 18-55MM AND 50-135MM
By Alfonso Parra AEC, ADFC.
In present paper we are going to test the two FujiFilm zooms to cinematography, the 18-55mm widest-angle and the 50-135mm most telephoto, both with T 2.9 and, by the moment, with a Sony E mount.
The study is focused on the whole aspects related to the image regarding the lens, among others, the resolution, color, ... [Read More]
Venice in Cartagena de Indias
An approach to the new Sony camera
by Alfonso Parra AEC, ADFC
We are going to report our experience with the new
Sony Venice camera during a film shooting in Cartagena
de Indias (Colombia), which at the same time served as
the presentation of the camera at FICCI (International
Film Festival of Cartagena de Indias in its Spanish
acronym). Before, we had already had the opportunity to
put in contact with the camera ... [Read More]
By Alfonso Parra AEC,ADFC and Adriana Bernal ADFC
In this occasion we are talking with de Director of Photography Alfonso Parra AEC, ADFC about the evaluation of the zoom Fuji XK6x20 that he did. In addition he used it to shoot the TVE series Derecho a soñar (Right to dream). The zoom forms part of the Cabrio lens series designed to work at 4K at T 3.5 for S35 sensors, PL mount and a weight of 3 kg whether we attach the
servo drive unit that can be detach of the zoom in order to use ... [Read More]
