Growing up in Ireland, Suzie Lavelle’s early years were far removed from the film industry. “I didn’t really have any sort of connection to the film industry,” she reflects. “I don’t think when I was young I was even aware of the craft behind the camera.” Like many, she associated filmmaking primarily with actors, never considering the intricate work behind the scenes.
However, her journey into the world of cinematography began unexpectedly while traveling at a young age. Armed with an old Pentax camera, she started capturing the world around her. “I really connected to interpreting the world in that way,” she recalls. As she traversed through France and Australia, her passion for photography grew, eventually leading her to enroll in a photography course.
It was during this time that fate intervened. Encouraged by a teacher, Suzie took the leap into full-time photography education. It was here that she discovered her love for filmmaking. “As soon as I got into college and started working with other young people making films, I found the camera department,” she says. “I never looked back.”
Her path wasn’t without challenges. Starting from the ground up, Suzie worked tirelessly on short films with friends, exploring various roles within the camera department. “I must have made 100 short films with my friends,” she recalls. Yet, it was one of these films that would change everything. Garnering attention, it opened doors for Suzie, leading her to prestigious opportunities like the National Film and Television School (NFTS) in the UK.
At NFTS, Suzie’s passion for cinematography found fertile ground. The school’s intensive curriculum provided her with the tools and knowledge to hone her craft. “That was sort of one of the best things that happened to me, getting into the NFTS,” she reflects. “Years of really focused cinematography. And amazing teachers” Under the guidance of experienced mentors, she immersed herself in the art and science of visual storytelling.
Throughout her journey, Suzie found inspiration in mentors like Noski Deville, a cinematographer who showed her the possibilities within the craft. “She really inspired me and supported me,” Suzie reflects. “That was me going, ‘Oh, I could probably do this.'”
Her career took off with projects funded by the Irish Film Board, paving the way for collaborations with acclaimed directors like Connor Horgan. Together, they pushed boundaries, creating films like “One Hundred Mornings,” known for its bold storytelling and unconventional shooting style.
But Suzie’s journey didn’t stop there. From independent films to high-profile projects like “Doctor Who,” she continued to defy expectations, earning accolades for her work. The “Doctor Who” interview was a turning point for Suzie. Feeling she had made a mess of it, she took a bold step and reached out to the producer to express her desire for the job. This pivotal moment reaffirmed her passion for cinematography and the importance of seizing opportunities.
One of Suzie’s notable projects is “The End We Start From,” a poignant exploration of motherhood set against the backdrop of a flooded London. Directed by acclaimed filmmaker Lenny Abramson, the film presents a visually striking narrative laden with metaphor and emotional depth. “I was delighted to do that project,” Suzie says with a smile.
Released in January 2024, “The End We Start From” showcases Suzie’s exceptional talent as a cinematographer. Despite the challenges of filming with babies in every scene and limited shooting time, her work captures the essence of the story with authenticity and beauty. From the intimate moments between characters to the vast, flooded landscapes of London, her cinematography elevates the film to a visual masterpiece.
Aspiring cinematographers can draw inspiration from Suzie’s journey and her advice for newcomers in the industry. “The answer is always on the page or with the director,” she advises. “Reread your script if you’re stuck or have another read-through with the director.” She emphasizes the importance of perseverance and continuous learning, urging professionals to keep going even after setbacks. “Don’t be afraid to admit you don’t know something ever, and learn it then,” she adds.
Today, Suzie continues to push boundaries and inspire with her work. From her beginnings in Ireland to her success on the international stage, she remains grounded in her passion for storytelling through the lens of a camera. “I just feel like I got the best job in the world,” she says with a smile. “I love it, you know? And I feel really lucky to be here basically.” With each project, she leaves an indelible mark on the world of cinematography, reminding us of the power of visual storytelling to move and inspire.
